In Butaca, pintura que muta (Stool, Mutating Painting), the surface of a studio stool acts as an involuntary canvas where the residue of artistic practice continuously accumulates, changes, and disappears. By using photography to record these accidental compositions before they are covered by new layers, the work rescues the ephemeral nature of the creative process, transforming a utilitarian object into a visual archive of a living, constantly mutating painting.
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